upcoming
#Green-Island 🏝


《昨天你在迴旋處等我嗎?》

《昨天你在迴旋處等我嗎?》猶如一首沉末在歌單底層的流行曲,我們記得它街知巷聞過,記得它曾安慰我們,直到它突然被下一首取代。

我們似乎還是老樣子,大抵日常未能輕言、霎時無法憶起,那些情境和煩惱只能分裂成小如一顆塵埃、散落遍野的碎片,無意地放置在一首又一首含糊的、俗套的、相似的,旋律和歌詞裏;而裏頭循環、藏著3分28秒又3分28秒的勇氣。

流行曲只是我們的消耗品,而裏頭匿藏我們的細語。

或許任何媒介都無法撿起所有的碎片顯化於你眼前,可是我們的細語要在不知不覺中被淹沒嗎?容我邀請你們片刻停下,看看躲在餘音裏的輕聲細語。


2023
#group_exhibition


things left unsaid


Things Left Unsaid presents a new body of work made over the past year that contemplates and reflects on the artist’s mother-daughter relationship, exploring the meanings of home, belonging and cultural identity. 

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2021
#exhibition

另一邊
another side



At home, a wall that has been distanced myself & my mother . Now, she teaches me to paint the wall constructed at Para-Site, like the way she used to paint for my room.

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2021
#video 
#documentation
📹

#wall-painting

*Para Site -
“Noble Rot“



✨️article written by Law Yuk-mui



this letter will hurts, but i still want to hold it tight


a period after no more school things in life, a recod of “transit” & “transcend”

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2021
#video
📹

#hand-writing
✍🏼



我們仍在尋找當中
Never Cease...


本來只是純粹記錄母親曾經是香港越南船民身份的過去,分享這段鮮為人知的香港歷史。

但越是探討,就越是揭露我和母親關係之間中的困惑、對家的迷思。

透過不斷回望過去,嘗試還原我對母親過去的空白,亦疏理我倆的纏繞,我是否就可以尋找到答案.....


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2021 - Present
#Video
📹

*Final Year Project



Kowloon Tong

24 - a letter to my parents


Before I graduated from university, I wanted to make a video about my adolescent and young adult period, about my relationships with my family, schoolmates, friends and myself, and how all this shaped me. This video is a grand finale of that period and an encouragement to myself.

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2020
#Video
📹


*Juror’s Special Mention -
D-Normal/V-Essay Round 3 Open-Call



Sham Shui Po


閒置錯配


A photojournalism about how public spaces became the wrestling stages of different stakeholders.

Eventually they were being abandoned, misused. This was taken during March, 2020 in Sham Shui Po.

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2020
#photography
📸



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