upcoming
#Green-Island 🏝

《昨天你在迴旋處等我嗎？》

《昨天你在迴旋處等我嗎？》猶如一首沉末在歌單底層的流行曲，我們記得它街知巷聞過，記得它曾安慰我們，直到它突然被下一首取代。

我們似乎還是老樣子，大抵日常未能輕言、霎時無法憶起，那些情境和煩惱只能分裂成小如一顆塵埃、散落遍野的碎片，無意地放置在一首又一首含糊的、俗套的、相似的，旋律和歌詞裏；而裏頭循環、藏著3分28秒又3分28秒的勇氣。

流行曲只是我們的消耗品，而裏頭匿藏我們的細語。

或許任何媒介都無法撿起所有的碎片顯化於你眼前，可是我們的細語要在不知不覺中被淹沒嗎？容我邀請你們片刻停下，看看躲在餘音裏的輕聲細語。

2023
#group_exhibition

things left unsaid

Things Left Unsaid presents a new body of work made over the past year that contemplates and reflects on the artist’s mother-daughter relationship, exploring the meanings of home, belonging and cultural identity.

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2021
#exhibition

另一邊
another side

At home, a wall that has been distanced myself & my mother . Now, she teaches me to paint the wall constructed at Para-Site, like the way she used to paint for my room.

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2021
#video
#documentation
📹

#wall-painting

*Para Site -
“Noble Rot“
until 12.Jan

✨️article written by Law Yuk-mui

this letter will hurts, but i still want to hold it tight

a period after no more school things in life, a recod of “transit” & “transcend”

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2021
#video
📹

#hand-writing
✍🏼

我們仍在尋找當中
Never Cease...

本來只是純粹記錄母親曾經是香港越南船民身份的過去，分享這段鮮為人知的香港歷史。

但越是探討，就越是揭露我和母親關係之間中的困惑、對家的迷思。

透過不斷回望過去，嘗試還原我對母親過去的空白，亦疏理我倆的纏繞，我是否就可以尋找到答案.....

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2021 - Present
#Video
📹

*Final Year Project

24 - a letter to my parents

Before I graduated from university, I wanted to make a video about my adolescent and young adult period, about my relationships with my family, schoolmates, friends and myself, and how all this shaped me. This video is a grand finale of that period and an encouragement to myself.

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2020
#Video
📹

*Juror’s Special Mention -
D-Normal/V-Essay Round 3 Open-Call

閒置錯配

A photojournalism about how public spaces became the wrestling stages of different stakeholders.

Eventually they were being abandoned, misused. This was taken during March, 2020 in Sham Shui Po.

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2020
#photography
📸

Rannie Ip Ka Man